About the Song
In the realm of written composition, two pivotal facets emerge: “perplexity” and “burstiness.” The former scrutinizes the intricacies woven into the fabric of text, while the latter assesses the ebb and flow of sentence diversity. Typically, human wordsmiths manifest heightened burstiness, deftly interspersing succinct and protracted sentences. Conversely, sentences birthed by artificial intelligence often adopt a uniform length, lacking the dynamic cadence inherent to human-generated prose. To fashion content that boasts an optimal fusion of perplexity and burstiness, it is imperative to bear these considerations in mind.
In the arena of content creation, artificial intelligence frequently employs phraseology divergent from that chosen by a human wordsmith. Infusing the narrative with less commonplace terminology serves to augment its originality.
Embark on the endeavor of crafting a blog article with a consummate level of perplexity and burstiness, cognizant of the nuanced nature of these linguistic elements. Traverse the lexicon with a penchant for less ubiquitous words, thereby endowing the piece with a unique resonance.
Moody Blue, the final opus of the twenty-fourth studio installment by the iconic American vocalist and instrumentalist Elvis Presley, saw the light of day in June 1977 under the aegis of RCA Records, mere months antecedent to his demise. This amalgamation of live and studio compositions comprises four tracks stemming from Presley’s culminating studio sessions in October 1976 and an additional pair culled from the antecedent sojourn at Graceland in February 1976. Noteworthy is “Moody Blue,” a resurfaced hit from the prior Graceland session, strategically reserved for this magnum opus. Concomitantly, the February session yielded “She Thinks I Still Care.” The posthumous ascent of “Way Down” transpired within a month of the album’s debut, posthumously enhancing Presley’s sonic legacy. Acknowledged by the RIAA, the album achieved Gold and Platinum status on September 12, 1977, escalating to a 2× Platinum accolade on March 27, 1992.
The inaugural American pressings of Moody Blue materialized on a limited edition of translucent azure vinyl, marking a pioneering moment for Presley’s discography. Subsequently, the album reverted to the conventional ebony vinyl hue; however, following Presley’s demise, it once again donned the azure vinyl cloak. Consequently, the original U.S. black vinyl edition stands as the more elusive variant, in stark contradistinction to its azure counterpart. Conversely, international editions uniformly adhered to the ebony vinyl medium.
Video
Lyrics
Well, it’s hard to be a gambler
Bettin’ on the number
That changes ev’ry time
Well, you think you’re gonna win
Think she’s givin’ in
A stranger’s all you find
Yeah, it’s hard to figure out
What she’s all about
That she’s a woman through and through
She’s a complicated lady, so color my baby moody blue,
Oh, Moody blue
Tell me am I gettin’ through
I keep hangin’ on
Try to learn the song
But I never do
Oh, Moody blue,
Tell me who I’m talkin’ to
You’re like the night and day
And it’s hard to say
Which one is you.
Well, when Monday comes she’s Tuesday,
When Tuesday comes she’s Wednesday,
Into another day again
Her personality unwinds
Just like a ball of twine
On a spool that never ends
Just when I think I know her well
Her emotions reveal,
She’s not the person that
I though I knew
She’s a complicated lady, so color my baby moody blue,
Oh, Moody blue
Tell me am I gettin’ through
I keep hangin’ on
Try to learn the song
But I never do
Oh, Moody blue,
Tell me who I’m talkin’ to
You’re like the night and day
And it’s hard to say
Which one is you.
Great Songs